There are few albums on my best-ever list. I have well over 20 days of music on my iPod, but there are few albums that have that everlasting, always-listen-to-it-and-hear-something-new, appeal.
They have to be albums that are timeless. They don't become dated.
They have to be musically intricate and technically strong.
They have to have meaningful lyrics.
There can be no more than one naff song on the album (and that's only because I like Dire Straits too much to say, "not one"). And they are not "best of" albums, because that's cheating, (though at some point I'll have to make an exception for a "best of 5FDP gentle songs").
The songs might be played by a classical orchestra, and stand up--because the music is that detailed and that strong.
If you hear the songs played live, you know that each performance will be unique, because the musicians are living the music, and the music is alive.
Gemini Syndrome, Sparks, Nevada, 2013 |
AP, Gemini Syndrome, Sacramento Aftershock 2013 |
Together with Marillion's Marbles, and Brave, and Afraid of Sunlight, and more; Peter Hammill's Silent Corner and the Empty Stage; Dire Straits' Brothers in Arms; Stevie Nicks' Belladonna, and a few more, Lux is going to be on my playlist for a very long time.
Peter Hammill, 1994, Grenoble, France |
But then, you say, what comes next?
There's a lot of time, and many years, and hopefully many more albums to come.
Ask some of the oldies (and not-so-oldies, but very very good-ies) on my list. They are still making music, still out there, still living the song.
There's a lot of time, and many years, and hopefully many more albums to come.
Ask some of the oldies (and not-so-oldies, but very very good-ies) on my list. They are still making music, still out there, still living the song.
Thank you all, very much.
Marillion, Wolverhampton, England, 2013 |
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