Wednesday, December 31, 2014

So what are you doing tonight? Fireworks, fun, music? Lots to choose from!


There's TBDfest's New Year's Eve block party, with Gigamesh, Oliver, Sister Crayon and more. I hope you have tickets already, cos it's sold out!!! Dress up warmly!!!



And there's Sac of Stars at the Boardwalk with Korean Fire Drill, Clockwork Hero, and many other Sacramento favourites.

And there are fireworks (two shows!) and much more in Old Sacramento: check it all out here on the NYE page.

And that's just the tip of the iceberg (and yes, it's chilly, but only relative to our usual nights)!

Whatever you are planning on doing... keep safe, don't drink and drive and watch out for those who do. See you next year!

Saturday, December 27, 2014

And that was 2014: a musical roundup!

Author & Punisher live
Author & Punisher
Thinking back over 2014, and what a year it was. Early on: Author and Punisher, lionfight, Otep... then later, Bret Michaels and Blackjack Billy.... So much music! As a photographer, sometimes I listen as much with my eyes as with my ears at concerts. At the end of this post, you'll see why. But first, here's my summary of the year that's about to come to a close! (And if you want to scroll back through the year, use the archive link ---> over there on the right!)

Adam Granduciel, The War on Drugs, TBD Fest, 2014
Adam Granduciel, The War on Drugs, TBD Fest, 2014
MOST LISTENED-TO ALBUM, at least in the last quarter of the year:  The War On Drugs, Lost in the Dream. After seeing them for the first time at TBD Fest here in Sacramento, I was lost in the album. The subliminal notes from Dire Straits, Bob Dylan; the opening of Red Eyes so reminiscent of the opening of Dry Land... and the most sublime transitions in Suffering that just turn my heart inside-out, and the so-danceable and intense An Ocean Between The Waves. How could this fail to become one of my most-listened to albums? Then there's competition with Gemini Syndrome's LUX, which continues to be one of my most-listened-to albums of recent years... and Marillion's Sounds That Can't Be Made, But both of these were released prior to 2014, so what will 2015 bring?

Ivan Moody of FFDP (Five Finger Death Punch) and Alison Toon of Toon's Tunes
Ivan Moody of FFDP (Five Finger Death Punch) and Alison Toon of Toon's Tunes
BEST FESTIVAL, difficult choice, as each festival covered this year was unique and very, very memorable. From Cropredy in England with flags and rain and Marillion to TBD Fest in a dusty Sacramento construction site... all were wonderful experiences. But Aftershock always stands out, and this year was immensley memorable for the chat with Ivan Moody of Five Finger Death Punch. (Photo credit Karli Hughes.)

Marillion, Cropredy festival, 2014
Steve Hogarth (H), Marillion, Cropredy festival, 2014
BIGGEST REGRET: Not seeing Gemini Syndrome live this year. However, I did get to spend some time chatting Brian Steele Medina... and will be there next year, somewhere, somehow! Also... not making it to Knotfest, as I had to be somewhere-else at the same time. Maybe we can fix that in 2015?

Fans waiting for Five Finger Death Punch, Aftershock 2014
Fans waiting for Five Finger Death Punch, Aftershock 2014
GREATEST CROWD: The People Of Aftershock, of course!

The Soft White Sixties at the Assembly, Sacramento
The Soft White Sixties at the Assembly, Sacramento
BEST DISCOVERIES: A whole list of music new-to-me, including The Last Internationale, The Red Paintings, The War On Drugs, and, way back in April, The Soft White Sixties. They are phenomenal and I really, really want to see them again in 2015. And don't forget Sacramento's own The Three Way!!!

Rob Zombie at Aftershock 2014, Sacramento
Rob Zombie at Aftershock 2014, Sacramento
MOST DIFFICULT TO "SHOOT": Other than the usual local low-light venues, which are always ridiculous, I have to rate Rob Zombie's show at Aftershock the most tricky to photograph. Not only was the lighting difficult, I was squished between two speaker stacks and two videographers who blocked the view of the stage. But... you just work with it!

BEST INDOORS LIVE PERFORMANCES: one of these might just have been at the very end of the year... those of you who wrote your lists before the end of December might have missed One-Eyed Doll!

The Three Way live March 2014
The Three Way, March 2014
MOST-ENJOYED LOCAL BANDS: Sacramento has a lot of talent, a lot of performers, and a lot of bands who are weekend-warrior-locals. Some of whom really stand out, probably because they constantly work at their music, learn and grow: (and for me, most important: they sing on-key!)  It will be interesting to see what happens in 2015, as some of my favourites have lineup changes, some are touring, some have albums out. Check out especially Zeroclient. The Three Way, Fair Struggle, A Mile Till Dawn, The Alpha Complex, FallRise,  Journal.

MOST-ANTICIPATED FOR NEXT YEAR: Marillion weekends!  Aftershock 2015!!! And--hopefully will make it there in 2015--Knotfest!!!

LEAST CHANGED IN FOREVER: Steve Hackett. He must have a portrait in the attic.

FAVOURITE PHOTO OF 2014: This one of Nic Astacio, lionfight. And it explains why I love photographing performers... of any kind of music, and often with the most inapropriate lenses for the lighting conditions. Because of moments like this.

Nick Astacio, Lionfight live Sacramento 2014
Nick Astacio, lionfight, Sacramento 2014

Thursday, December 25, 2014

Toon's Tunes Christmas Day playlist... because you have to!


Blue Christmas, Elvis Presley
Do You Hear What I Hear?, Whitney Houston
Gaudete, Steeleye Span
Happy Xmas (War Is Over), John Lennon
I Believe In Father Christmas, Greg Lake
I Wish It Could Be Christmas Every Day, Wizzard
Joys Of Christmas, Chris Rea
Last Christmas, George Michael
Little Drummer Boy, Wyclef Jean
Lonely This Christmas, Mud
Merry Christmas Everybody!, Slade
Peace On Earth/Little Drummer Boy, Bing Crosby and David Bowie
River, Nashville Cast
River, Robert Downey Jr.
Santa Claus is Coming To Town, Bruce Springsteen
Rockin' Around the Christmas Tree, Mary J Blige
Thank God It's Christmas, Queen
Walking In The Air, Aled Jones
White Christmas, Stiff Little Fingers
Ave Maria, Stevie Wonder
Christmas Card from a Hooker..., Tom Waits
Fairytale of New York, The Pogues
White Christmas, Ally McBeal cast
Silent Night, Sinead O'Conner
Step Into Christmas, Elton John
Happy Xmas (War is Over), Marillion  (YouTube link cos not yet on iTunes in the USA)

You know where to find them all!  Merry Christmas, happy Thursday everyone!

Sunday, December 21, 2014

One-Eyed Doll at the Boardwalk, Orangevale. A summary. A horror show. Sheer musical genius!

Kimberly Freeman, guitar and vocals, One-Eyed Doll, Orangevale, CA
Kimberly Freeman,  One-Eyed Doll, Orangevale
A One-Eyed Doll show. Brilliant! (And at the Boardwalk in Orangevale: nice and intimate.)

Let me try to paint the picture... Pippi Longstocking meets Marilyn Manson for a cup of tea with Edgar Allen Poe in a house designed by Tim Burton. Then there's a pope, the devil, a royal queen, a telephone call on a dismembered leg; a little-girl-lost, a big heavy metal guitar, a voice that sends shivers up your spine (and that has nothing to do with the lyrics, but they'll have the same effect, though it might be laughter too); darn good drums played by sorta-Father-Christmas, smoke, lasers, a mushroom head-hat, a Scorpion,.. did I miss anyone? Probably...

Kimberly Freeman, guitar and vocals, One-Eyed Doll, Orangevale, CA
Kimberly Freeman,  One-Eyed Doll, Orangevale
Don't go to a One-Eyed Doll show expecting to be an audience. You're part of the show, whether it's voting for your religion (Twinkies? Yoyos?), affirming the humanity of serial killers, turning your back while Kimberly changes clothes, getting up on stage because you're wearing a One-Eyed Doll t-shirt, or helping to kill that damn scorpion... And it is so much fun. And such good, very good, music.

Junior, drums, One-Eyed Doll, Orangevale, CA
Junior, One-Eyed Doll, Orangevale
On the road for more than 300 days a year, these guys truly work at their art and their music--and it shows. This is entertainment, this is professional, this is dark-and-heavy-and-fun music, and I don't want to miss another show.

Kimberly Freeman, guitar and vocals, One-Eyed Doll, Orangevale, CA
Kimberly Freeman,  One-Eyed Doll, Orangevale
Kimberly plays a signature Tregan guitar. In case you want to treat yourself. Still time before Christmas, right?

Kimberly Freeman, guitar and vocals, One-Eyed Doll, Orangevale, CA
Kimberly Freeman,  One-Eyed Doll, Orangevale
Watch out for One-Eyed Doll back on the road soon, and with a new album too: keep an eye here and here.

Full set of photos from the show in the Toon's Tunes One-Eyed Doll photo gallery. Or just click on one of the photos above.

For a review of the show at the Ace of Spades last year, click here.

Monday, December 8, 2014

I'm Down with that!

Phil Anselmo, Down, Sacramento
Phil Anselmo, Down, Sacramento
Brilliant show last night at the Ace of Spades: "The Punk Rock but Kinda Not" tour, headlined by Down, and the inimitable Phil Anselmo. Mr. Anselmo was present from the moment the show opened: waving to his Sacramento fans from the dressing-room steps, enjoying the three support acts from there too.

Opening act, King Parrot, is not to be missed. If you're heading to one of the other shows on the tour, don't be late! Seriously... punk/rocl/metal from Australia, in-your-face (literally), and don't be afraid of a little fresh water.

Youngy, vocals, King Parrot, Sacramento
Youngy, vocals, King Parrot, Sacramento
Bl'ast rock it up, too. Loads of energy and the night screeches and moshes along. Get in the pit or be square.
Clifford Dinsmore, vocals, Bl'ast
Clifford Dinsmore, vocals, Bl'ast
English metal band, Orange Goblin. How is it that I know English metal, as opposed to US or Swedish or anything else, from the first heavy guitar notes and the sound of the drum? It's the Sabbath/Maiden heritage I guess...

Ben Ward, Orange Goblin, Sacramento
Ben Ward, Orange Goblin, Sacrament
Prior to the show, the sound tech (who was not short) was standing on tiptoe to adjust Ben Ward's mic stand. Looked like he was setting up for someone 9 foot 5" tall. Whatever... Oh but then Ben walks on stage, and of course, he IS 9 foot 5" tall, and with a metal voice to match. Very, very enjoyable!

And then... Down! The stage was cleared: no stands, no monitors, no impedements to movement, Brilliant! (I think Down may be my favourite Anselmo incarnation... a tad more melodic and less death, but with the usual intense energy and interaction with the audience). The crowd was boisterous, metal, heavy, angry at times, but heck, it was Down!

Down (the band), Sacramento
Down, Ace of Spades, Sacramento
More, many miore photos will be added to the galleries later this week! The full set of Down photos are now in the Toon's Tunes Down photo Gallery. All the King Parrot shots too... and Bl'ast... and Orange Goblin!  Click the links or on a photo above and scroll left and right from there.

Friday, December 5, 2014

The Birthday Massacre, Superstition, and a date in Sacramento

The Birthday Massacre, Sacramento
The Birthday Massacre, Sacramento
The Birthday Massacre are headlining a major tour of the USA, and recently released a new album, Superstition, playing many of the new songs at the Ace of Spades on Wednesday evening, along with older favourites. Big lineup for the entire tour: The Red Paintings, New Years Day, The Birthday Massacre, and supporting them in Sacramento were two local bands, Snow White Smile and Awoken Shadows.

Chibi, vocals, The Birthday Massacre, Sacramento
Chibi, vocals, The Birthday Massacre, Sacramento
Not quite a full house, but almost. And a lot, a lot of fans. Dressed in harmony with the music; individual, unique; a mix of rock, goth, spooky and Tim Burton. Skyscraper-high platform boots; torn fishnets, an illuminated tutu, leather, lace and black eyeliner.

The Birthday Massacre, Sacramento
The Birthday Massacre, Sacramento
Sweet-and-creepy songs: guitar and synth; purple-pink light (hence the elusive images, and the monochrome, and hunting for that last drop of light, because that-low, that-colour-LED-light just doesn't work well for photos.). Slightly dreamy...

The Birthday Massacre, Sacramento
The Birthday Massacre, Sacrament
The tour continues a little longer--be quick if you want to catch a show! And check out Superstition: available from your usual music outlet!

More photos from The Birthday Massacre in the Toon's Tunes gallery. Or just click on the photos in this post and travel there like magic!

Tuesday, December 2, 2014

Dead Sara, women in rock, and you are entitled to say "it's about time, too!"

Emily Armstrong, vocals, Dead Sara, Aftershock 2013
Emily Armstrong, vocals, Dead Sara, Aftershock 2013
Can't believe I still hadn't posted the photos from Dead Sara's set at Aftershock 2014. Sorry. My-very-bad.

Emily Armstrong, vocals, Dead Sara, Aftershock 2013
Emily Armstrong, vocals, Dead Sara, Aftershock 2013
That girl certainly can scream... but she (Emily Armstrong) can really sing, too. If you haven't heard Dead Sara before, check out Lemon Scent or Weatherman on YouTube. (And if you're wondering where the band's name came from, listen to Stevie Nicks singing Sara, and you might work it out.

Siouxsie Medley, guitar, Dead Sara, Aftershock 2013
Siouxsie Medley, guitar, Dead Sara, Aftershock 2013
I've said it before and I'll say it no doubt a few times more... a metal vocalist is like an abstract painter, the best are those who have worked on the traditional art (singing, or drawing/painting), before moving to the abstract (metal scream-growl or abstract art). There are some who could take lessons from Emily Armstrong... in my humble opinion. Or not so humble, as the case may be.)

Chris Null, bass, Dead Sara, Aftershock 2013
Chris Null, bass, Dead Sara, Aftershock 2013

Sean Friday, drums, Dead Sara, Aftershock 2013
Sean Friday, drums, Dead Sara, Aftershock 2013
There is a rumour of a new Dead Sara album coming sometime soon... there are still a few weeks left ini 2014, but will this be one that waits until the new year? Something to look forwards to!

All Toon's Tunes photos from Dead Sara's set at Aftershock 2014 are in the photo gallery. Or click on any of the photos and you'll magically be transported there.

Saturday, November 29, 2014

Boy Bands gone bad... The Monster Energy Outbreak tour, a review

Chris Fronzak, vocals, Attila, Ace of Spades, Sacramento
Chris Fronzak, vocals, Attila, Ace of Spades, Sacramento
An early start on a Friday evening, and the line of mostly late-teen fans stretches around three sides of the block, sidewalk wide in the early dark, waiting to get inside and experience the Monster Energy Outbreak Tour. It's been a beautiful November day in Sacramento: sunny after early mist, warm, flowers blooming, one of those days that makes you remember why you live here. 6 p.m. and the doors have just opened: it's quite unusual to see so many people, so early: the show has sold out, and all of the four bands are touring, no local opener on this evening.

For this show, the majority of the Ace of Spades is configured for "all ages", no alcohol: I'm thinking: these are metalcore-cum-boy-bands, hardly out of their teens themselves or trying hard to remain teenaged into their thirties.. the sort of band you'll see at Vans Warped, floppy hair and metal tuning. And yes, there was some of that--Crown The Empire especially boy-band-esque but with a screaming twist.

Crown The Empire, Sacramento
Crown The Empire, Sacramento
So... much... energy in the crowd. So many happy and excited people. So many loud girls waiting for a meet-and-greet or three. And all Ace of Spades' security guys, knowing what they are going to have to work with tonight.

Wall Of Death, Attila, Ace of Spades, Sacramento
Wall Of Death, Attila, Ace of Spades, Sacramento
All four bands screamed at the audience to crowdsurf, to form the biggest circle pit ever (did they check the size of the venue before saying that??? Slight exaggeration given the available space), to go for the wall of death. I hope there were no broken bones. It can be a tad intimidating to be caught up in the pit if you're not prepared.

Tyler Dennen, vocals, Sworn In, Sacramento
Tyler Dennen, vocals, Sworn In, Sacramento
I was warned--twice--to be careful in the photo pit with Attila, because it would get nasty and we probably wouldn't be able to shoot three songs (they were right--we were pulled out of the small, crowded photo-pit after little more than one song, bodies flying over the security barrier and all that). It was "interesting" negotiating a way out of the pit, through the crushing crowd and skirting a very-active circle pit while carrying two cameras, but that's another story. (It wasn't until I edited my photos that I realised that security was not only catching all the crowdsurfers and making sure they didn't crack their heads on the stage or the cement floor, but they were also in the middle of the crowd, making sure everyone was OK. Kids? You owe them a big thank you.)

Of the four bands, I found Like Moths To Flames most enjoyable, probably because they mix some melody and clean singing in with the more typical hardcore screams and yells. OK, "core" is not my music of choice: I love the energy, and the action, but I like to hear singers who truly sing. Given the number of people at the show, I was one of the minority who was there for reasons other than being a totally-devoted fan. There were also a few brave parents, accompanying their kids. Some of whom have obviously spent so much time listening to their kids' fave bands that they know all the words...

Aaron Evans, bass, Like Moths To Flames, Sacramento
Aaron Evans, bass, Like Moths To Flames, Sacramento

Chris Roetter, vocals, Like Moths To Flames, Sacramento
Chris Roetter, vocals, Like Moths To Flames, Sacramento
Attila. The last keep-the-crowd-entertained song played in the break between Crown The Empire and Attila's arrival on stage was "I Don't F**K With You" by Big Sean, and all the young women in the front row of the crowd were singing along to words that insult and disrespect a woman (or just as importantly--another member of the human race). So the beat is catchy. Shouldn't you also listen to the words?

And that set the tone for Attila.

To my ears, every word of each and every Attila song rhymed with duck, and there was no quacking, no feathers, and no kindness. That was the limit: of the vocabulary, of the lyrics, of the words, and of the entire F-you sentiment.

I find it hard, and very sad, that the whole, sold-out venue of kids are raising themselves to think that's more than OK.

Crowd and circle pit, Attila, Ace of Spades, Sacramento
Crowd and circle pit, Attila, Ace of Spades, Sacramento
Am I being hypocritical? I love Five Finger Death Punch, and Ivan Moody's lyrics can be ultra-angry. Yet he is so articulate, and his words are intensly personal. Attila? It's just S*** my F*** and variants thereof. I really don't get it. The energy, the atmosphere, the incitement to rebel? Absolutely. The spirit of the words that are used? No, I don't. Never in a million years.

It's been a crazy week: non-peaceful Ferguson protests, insane shoppers on Black Friday, and kids who think it's OK to have little or no respect for other people while classing it as "music". I feel a little old... I now understand why earlier generations always say, "the world is not the same as it was". Words used to mean something... other than a middle finger.

Guys? You can obviously make music. You've obviously enough talent to draw a huge audience, and the energy to maintain a following. Give Peace A Chance.

When I left the venue, it was raining. I played The War On Drugs all the way home.

All photos link to Toon's Tunes photo galleries: or click here for Attila, Crown The Empire, Like Moths To Flames, and Sworn In.

Agree or disagree with this review? Join the discussion on our Facebook page!

Friday, November 28, 2014

Music, music, music this weekend and more to come


I know. I wasn't here much lately. My excuse? I was here, and here, and here, and especially here. Anyway... some interesting shows are lined up, starting with tonight: Atilla, at the Ace of Spades. There have been several bands named Atilla: this isn't the one with Billy Joel, nor is it the metal Atilla that we knew in Europe a while back. This one is metalcore, and they come from Atlanta, Georgia. I'm going to be there to see if they live up (or down) to their reviews.

Then on Monday, again at the Ace, it's The Birthday Massacre, with a really interesting support lineup that includes New Years Day (I really, really, REALLY want to add the apostrophe), and rock-orchestral The Red Paintings. I think that Sacramento's Snow White Smile has also been added to the bill, so this should be a cool evening out.

Check out the Ace of Spades' calendar for this week and next weekend. You'll see me at a few of these shows!

Wednesday, November 26, 2014

What does half of a Megadeth equal?

Megadeth, Aftershock 2013
Chris Broderick, Megadeth, Aftershock 2013
So it seems that there's trouble afoot within (and now, without) metal band Megadeth. This week, both guitarist Chris Broderick and drummer Shawn Drover announced a split with the band... which leaves only founding members, Dave Mustain and David Ellefson.

It's OK. Megadeth has seen quite a few personalities over the years... no doubt the name will go on. And it's a good excuse to post a couple of pictures of Chris.

Megadeth, Aftershock 2013
Chris Broderick, Megadeth, Aftershock 2013
More from Megadeth's show at Aftershock 2013 in the Toon's Tunes Megadeth gallery.

Tuesday, November 11, 2014

Zeroclient's Omnia: a review

Zeroclient album launch, Assembly, Sacramento
Zeroclient, Omnia release show, Sacramento 2014
It's taken me far too long to get around to writing this review, and I apologise. Blame it on business trips to Vancouver and to Chicago, with very little time in-between. Though it's allowed me to listen to the album over a few weeks... and it's well worth listening to again.

More prog-rock than metal (even though they were awarded "best metal band" in the Sammies in 2012), Zeroclient are one of my favourite local Sacramento bands. With intricate blending of heavy drums and bass, and adventurous guitar, and they have a strong local following, and the release of their first album, Omnia, was eagerly awaited and launched at a show at Sacramento's Assembly, a few weeks back.

The songs on Omnia are well into the length of your typical "prog" offering, with Beyond the Horizon, one of my favourites, lasting almost eleven minutes. Not that the length of a song should pigeonhole anyone into one musical genre or another, it's just big deal for a young band's first full-length album release, and something pretty unusual for a local band to step up and play live... which they do, to much applause. Time for a wider audience, I think... national tour next?

Omnia has some wonderful instrumental stretches, and very laid-back vocals... and check out the artwork, too. Take a listen to Beyond the Horizon here (and then go buy the album, OK?):


Zeroclient are Arnold Pena (lead guitar), Brian Vees (vocals, guitar), James Wolf (bass) and Cameron Ellis (drums). You can find (and buy) Omnia on Amazon, iTunes, and listen to it through Spotify and Pandora. Find the band on Zeroclient's Facebook page, on Twitter as @zeroclientmusic, and on the web at http://zeroclientmusic.com.

Photos from a couple of recent Zeroclient shows are in the Toon's Tunes Zeroclient gallery.



Saturday, November 1, 2014

Wayne Static... gone. Evil disco, RIP

Wayne Static live Sacramento May 2014
Wayne Static, Sacramento, May 2014
RIP Wayne Static, who passed away today at far-too-young an age.

Twitter is full of messages from those who knew him. He was obviously a much-loved man and one who inspired many others. And he put on one heck of a show...

Saturday, October 25, 2014

Black Label Society, at Aftershock (and this weekend, at Knotfest)... and a wall of Marshall amps

Black Label Society, Aftershock 2014
Black Label Society, Aftershock 2014
Perhaps the band with the biggest stack of Marshalls on the planet, Black Label Society are taking their show to Knotfest this weekend. Lots of heavy metal and headbanging and a real, good, show. Go bezerk!!!

John DeServio, bass, Black Label Society
John DeServio, bass, Black Label Society
All the Toon's Tunes photos are in the Black Label Society photo gallery!

Zakk Wylde, vocals and guitar, Black Label Society
Zakk Wylde, vocals and guitar, Black Label Society

Friday, October 24, 2014

Catfish and the Bottlemen: sometimes you just have to embrace the red

Catfish and the Bottlemen, Sacramento, October 2014
Catfish and the Bottlemen, Sacramento, October 2014
I was kicking myself, earlier in the week, for almost missing last night's Catfish and the Bottlemen's show at the Assembly, Sacramento: this is their first USA tour, they have sellout dates lined up back in the UK, and they have already built a fine reputation for working at their art. So glad I remembered in time... and I was not disappointed, and neither were those fans who had been at their show in San Francisco the night before, and made the trek up to (or back to?) Sacramento for the next show. I can understand why they did that. I can understand why shows are sold out months in advance in the UK, where they are obviously better-know than they are here in the USA.

Van McCann, vocals, Catfish and the Bottlemen, Sacramento, October 2014
Van McCann, vocals, Catfish and the Bottlemen, Sacramento, October 2014
I think that will change. You've heard Kathleen on the radio? These are those guys.

Benji Blakeway, bass, Catfish and the Bottlemen, Sacramento, October 2014
Benji Blakeway, bass, Catfish and the Bottlemen, Sacramento, October 2014
Catfish and the Bottlemen are Van McCann (lead vocals), Johnny 'Bondy' Bond (lead guitar), Benji Blakeway (bass guitar) and Bob Hall (drums). While they are based in Llandudno in the north of Wales (a nice seaside town), I didn't hear any Welsh accents... I heard more East Midlands, and it sounded like home.

Bondy, guitar, Catfish and the Bottlemen, Sacramento, October 2014
Bondy, guitar, Catfish and the Bottlemen, Sacramento, October 2014
The size of the audience last night must have been a little disappointing, but if it was, the band didn't let on. They played as if before a full house. They thanked the audience for being there, in true British style: "Thank you for having us!". They played like true professionals, and that's what they are. Great music, great show. We had a wonderful concert for all of $12 at the door. You really should have been there, and I think, by this time next year, shows in the USA will be sold out, just like they are already in the UK.

Bob Hall, drums, Catfish and the Bottlemen, Sacramento, October 2014
Bob Hall, drums, Catfish and the Bottlemen, Sacramento, October 2014
Catfish and the Bottlemen's album, The Balcony, is riding high in the UK album charts (it's still an import here in the US but is available through Amazon). Their EP, Kathleen and the Other Three, is avaialble from iTunes. Find out more about them on their website!

If you've not heard them yet, here's Kathleen:



(Last night's show was all red light, every song, no white light at all, just red, all the way through the show, every song. For anyone who's not a photographer: red stage light is the most problematic to photograph, and made even more difficult when the light levels are utterly and ridiculously low, despite a lighting setup that most professional theatres would envy. (Yes that's you I'm talking too, Assembly, not the band!)  Red light washes out all of the detail and texture in photos, and you can't bring it back: the camera cannot capture nuances of shade, expression, texture. We can sometimes convert the images to reasonable black-and-white shots: this time, I wanted to embrace the red images, more as a capture of atmosphere than a documentary... Otherwise you just have to give up the photos, and simply enjoy the music. It is what it is. You'll see it in all its glory in the Toon's Tunes photo gallery for Catfish and the Bottlemen!)

If you like Catfish and the Bottlemen, you might also enjoy Beware of Darkness!